2020


March/April 2020

Due to the rapidly-evolving situation regarding COVID-19, the following planned events are CANCELLED.

March  13: Kathy Kennedy: The Oral Soundscape, lecture/workshop/performance
March 20: Alan Licht in conversation: Sound Art: Beyond Music, Between Categories
March 29: the Electro-Acoustic Orchestra and York Wind Ensemble perform Eric Whitacre’s Deep Field
April 3: the Electro-Acoustic Orchestra perform two sets featuring interactive conducting and 28 channel spatialization
April 8: Liveware (Century/Lawson) accordion and live coded visuals
April 14: Students of the graduate course Vertical Studio/Lab present a concert/installation of works utilizing interactive machine learning


February 19th, 2020

1:00-5:00pm
Workshop + Dispersion Relation (#7) Performance feat. Diemo Schwarz

Please join us for this two-part event featuring IRCAM’s Diemo Schwarz!

What:

Workshop with Schwarz: 1-3pm

Dispersion Relation #7: 4-5:30pm
Doug Van Nort welcomes special guests Diemo Schwarz (CataRT) + Glen Hall (Saxophone + Catoracle)

About the event(s):

From 1-3pm we will be in Workshop mode, with Diemo leading us through the use of the amazing sonic software tools that Dispersion is using heavily these days, and which he has created (CataRT) or had a major hand in creating (MUBU).

Then at 4pm is #7 in the Dispersion Relation series, where Diemo shall perform with Doug Van Nort and invited guest Glen Hall, highly-accomplished TO improviser and Catoracle user.

About the guests:

Schwarz:
Diemo Schwarz, born in Germany in 1969, is a researcher at IRCAM, and a musician and creative programmer.

His scientific research on sound analysis/synthesis and gestural control of interaction with music is the basis of his artistic work, and allows to bring advanced and fun musical interaction to expert musicians and the general public via installations like the dirty tangible interfaces (DIRTI) and augmented reality (Topophonie mobile).
In 2017 he was DAAD Edgar-Varèse guest professor for computer music at TU Berlin.

He performs on his own digital musical instrument based on his CataRT open source software, exploring different collections of sound with the help of gestural controllers that reconquer musical expressiveness and physicality for the digital instrument, bringing back the immediacy of embodied musical interaction to the rich sound worlds of digital sound processing and synthesis.
He interprets and performs improvised electronic music as member of the 30-piece ONCEIM improvisers orchestra, or with musicians such as Frédéric Blondy, Richard Scott, Gael Mevel, Pascal Marzan, Massimo Carrozzo, Nicolas Souchal, Fred Marty, Hans Leeuw.
He composes for dance and performance (Sylvie Fleury, Frank Leibovici), video (Benoit Gehanne and Marion Delage de Luget), and installation (Christian Delecluse, Cecile Babiole),

Hall:
Born in Winnipeg, saxophonist/flutist/composer Glen Hall has earned an international reputation for his creative approach to jazz and improvised music. He has performed and recorded with luminaries like legendary arranger Gil Evans, avant-garde trombonist Roswell Rudd and Sonic Youth guitarist Lee Ranaldo. In the words of The Globe and Mail: “aggressively contemporary…Hall has all the marks of an original mind.”

 


February 15th, 2020

5:00-7:00pm

(doors at 5, playing starts at 5:30)

Telematic II
 The Array Space, 155 Walnut Ave
DisPerSion Lab, 334 Goldfarb Centre for Fine Arts, YorkU

(audience welcome at both locations!)

The second of a three-part series of network-based musical performances, this concert links disparate parts of Toronto, bridging two very distinct and complementary performing arts spaces. The concert welcomes some of the strongest and longest-standing voices in Toronto’s improvisation scene. The performance invites the distributed quartet, with two performers per location, to freely improvise and explore their sense of collective presence in this unique conjoined venue, listening across spaces and to the virtual “space between” for dialogue and connection.

Array Performers:
Glen Hall (bass clarinet)
Casey Sokol (piano/prepared piano)

Dispersion Performers:
Sarah Peebles (sho)
Doug Van Nort (greis/electronics)

Array Network+Video Engineering/Technical Direction:
Michael Palumbo

Array Audio Engineering/Networking:Kieran Maraj

Dispersion A/V Engineering/Networking and Virtual Acoustics Research:
Rory Hoy

Special thanks for Pre-Concert Audio/Video Support:
Kelley Mitchell
Danny Sheahan

Array Streaming/Telematic Co-Conspirators past/present/future:
Ricks Sacks
David Schotzko
Anne Bourne

Part of the Doug Van Nort’s SSHRC Partnership Engage Project “Connecting Communities Through Telematic Music”, with Partner Arraymusic. Audience at both sites will also have the opportunity to provide feedback and contribute to the larger research-creation endeavour!

..and for those keeping track, this is also Dispersion Relation #6!

 


January 24th, 2020

5:30-7:30pm
Dispersion Relation #5: Doug Van Nort with guest Michael Palumbo
Dispersion Relations
(or, dvnt and friends)

In this semi-regular series, every other Friday (+/- 1 week) in the Dispersion Lab, Doug Van Nort performs with curated and invited guests.

All are welcome to come and listen in this immersive sonic space. The lab door will remain open, and people are welcome to come in late or leave early during the show. (Please remove shoes before entering!)

The fifth event welcomes Dispersion Lab researcher Palumbo, who has been delving deep into experiments in modular synthesis, developing a new and evolving performance practice on his custom rig.