Readings #1:
Born – On Musical Mediation: Ontology, Technology and Creativity
Haworth – Sound Synthesis Procedures as Texts: An Ontological Politics in Electroacoustic and Computer Music
Readings #2:
Magnusson – Sonic Writing, part 1
Readings #3:
Magnusson – Sonic Writing, part 2 and part 3
Readings #4:
Magnusson – Sonic Writing, part 4 and part 5
Gestural Database Etude #1 (and 2 and 3!)
Readings #5:
Schwarz et al. – Real-time corpus-based concatenative synthesis with catart
Van Nort – Instrumental listening: sonic gesture as design principle
Javis and Van Nort – Posthuman Gesture
Etude: Gesture, Time, Machine Learning
Readings #6:
Fiebrink, R., & Cook, P. R. The Wekinator: a system for real-time, interactive machine learning in music.
Caramiaux et al. – Mapping through listening
Françoise et al. –Probabilistic Models for Designing Motion and Sound Relationships
Supplementary Readings:
Fiebrink, R., Caramiaux, B., Dean, R., & McLean, A. (2016). The machine learning algorithm as creative musical tool. Oxford University Press.
Van Nort, D., Jarvis, I., & Palumbo, M. (2016). Towards a mappable database of emergent gestural meaning. NIME.
Wessel, D., & Wright, M. (2002). Problems and prospects for intimate musical control of computers. Computer music journal, 26(3), 11-22.