This research project builds upon Van Nort’s 20 years of research-creation work and performance in telematic music, and seek to move beyond the prevailing concept of telematics as a new, instrumentalized medium with affordances to play with (e.g. with respect to latency), towards understanding the complex contingencies of acoustic space, place, technological mediation, the sonic-haptic spectrum, embodiment and new paradigms for composition and audience interaction that collectively determine a broader sense of presence at a distance.
Listening and Sounding in/to the Pandemic
Telematics and Telepresence
Coupled virtual spaces: